El podcast de TBO en Pantalla 55: Adaptaciones sonoras y musicales de Marvel

¡Cómics! ¡Discos! ¡Seriales! ¡Podcasts!

Sube a tope el volumen, porque vamos a repasar todas las adaptaciones musicales y radiofónicas de la Casa de las Ideas, de los viejos seriales a los modernos podcasts, pasando por las tablas de Broadway y hasta los homenajes de los artistas más insospechados.

¡La historia sonora de Marvel!

Más recomendaciones comiqueras, nuestras impresiones del adelanto de Alien: Romulus y de la Cronología oficial del UCM, y el sorteo que teníamos pendiente de X-Men 97.

Puedes escucharlo (y suscribirte) en nuestro canal de iVoox o directamente bajo estas líneas, desde tu navegador:

Pero aún hay más... porque a continuación enlazamos la versión íntegra de todos los clips que extractamos en el programa, más un montón de extras para ilustrar nuestros comentarios. Ojo que hay tantos vídeos que tardan en cargarse.

1964 y 1966. Las voces de Marvel y Scream along with Marvel

1966. Minidiscos de Tifton Records

1966. Disco-comics de Golden Records

1968. A Saucerful of Secrets, de Pink Floyd

1969. Cymbaline, de Pink Floyd

The path you tread is narrow
And the drop is shear and very high
The ravens all are watching
From a vantage point nearby
Apprehension creeping
Like a tube-train up your spine
Will the tightrope reach the end
Will the final couplet rhyme

And it's high time
Cymbaline
It's high time
Cymbaline
Please wake me

A butterfly with broken wings
Is falling by your side
The ravens all are closing in
And there's nowhere you can hide
Your manager and agent
Are both busy on the phone
Selling coloured photographs
To magazines back home

And it's high time
Cymbaline
It's high time
Cymbaline
Please wake me

The lines converging where you stand
They must have moved the picture plane
The leaves are heavy around your feet
You hear the thunder of the train
And suddenly it strikes you
That they're moving into range
Doctor Strange is always changing size

And it's high time
Cymbaline
It's high time
Cymbaline
Please wake me

The lines converging where you stand
They must have moved the picture plane
The leaves are heavy around your feet
You feel the thunder of the train
And suddenly it strikes you
That they're moving into range
Doctor Strange is always changing size

And it's high time
Cymbaline
It's high time
Cymbaline
Please wake me

1971. Unchained, de Elias Hulk

1971. Mambo Sun, de T. Rex

Beneath the bebop moon
I want to croon with you
Beneath the mambo sun
I got to be the one with you

My life's a shadowless horse
If I can't get across to you
In the alligator rain
My heart's all pain for you

Girl you're good
And I've got wild knees for you
On a mountain range
I'm Dr. Strange for you

Upon a savage lake
Make no mistake I love you
I got a powder-keg leg
And my wig's all pooped for you

With my hat in my hand
I'm a hungry man for you
I got stars in my beard
And I feel real weird for you

Beneath the bebop moon
I'm howling like a loon for you
Beneath the mambo sun
I've got to be the one for you

1971. Portada de Herb Triumpe para la Rolling Stones #91

1972. The Amazing Spider-Man: From Beyond The Grave!

1972. The Marvel world of Icarus

1974-1977. Peter Pan Power Records Book and record set

Fantastic Four- "The Way It Began"

The Incredible Hulk at Bay

The Hulk - Monster From The Deep

The Incredible Hulk 04 Blind Alley

Captain America and the Falcon - ...And A Phoenix Shall Arise!

The Monster of Frankenstein

The Amazing Spider-Man and Friends

Spider-Man - Invasion of the Dragon Men

The Amazing Spider-Man - The Abominable Showman

Spider-Man Vol II 02 Return Of The Conquistador

Spider Man Vol II 03 The Mad Hatter

The Amazing Spider.Man: The Bells of Doom

1975. Magneto and Titanium man, de Paul McCartney & The Wings

Well, I was talking last night
Magneto and Titanium Man
We were talking about you, babe
They said

You were involved in a robbery
That was due to happen at a quarter to three
In the main street

I didn't believe them (I didn't believe them)
Magneto and Titanium Man
But when the Crimson Dynamo finally assured me, well, I knew

You were involved in a robbery
That was due to happen at a quarter to three
In the main street

So we went out
Magneto and Titanium Man
And the Crimson Dynamo came along for the ride

We went to town with the livery
And we swung all over that long, tall bank
In the main street

Well, there she were and to my despair
She's a five-star criminal breaking the code
Du-to-ru, du-to-ru, du-to-ru, ru-ru-ru-ru-ru

Magneto said, "Now the time has come
To gather our forces and run!"
Oh, no (oh, no), this can't be so

And then it occurred to me, you couldn't be bad
Magneto was mad, Titanium too
And the Crimson Dynamo just couldn't cut it no more
You were the law

We went to town with the livery
And we swung all over that long, tall bank
In the main street
You know the one I mean?

Well, there she were and to my despair
She's a five-star criminal breaking the code
Du-to-ru, du-to-ru, du-to-ru, ru-ru-ru-ru-ru

Magneto said, "Now the time has come
To gather our forces and run!"
Oh, no (oh, no), this can't be so

And then it occurred to me, you couldn't be bad
Magneto was mad, Titanium too
And the Crimson Dynamo, well, they just couldn't cut it no more
You were the law

1975. 50 Ways to leave your lover, de aul Simon

The problem is all inside your head, she said to me
The answer is easy if you take it logically
I'd like to help you in your struggle to be free
There must be fifty ways to leave your lover

She said: It's really not my habit to intrude
Furthermore, I hope my meaning won't be lost or misconstrued
But I'll repeat myself at the risk of being crude
There must be fifty ways to leave your lover
Fifty ways to leave your lover

Just slip out the back, jack
Make a new plan, stan
You don't need to be coy, roy
Just get yourself free
Hop on the bus, gus
You don't need to discuss much
Just drop off the key, lee
And get yourself free

Just slip out the back, jack
Make a new plan, stan
You don't need to be coy, roy
Just listen to me
Hop on the bus, gus
You don't need to discuss much
Just drop off the key, lee
And get yourself free

She said: It grieves me so to see you in such pain
I wish there was something I could do to make you smile again
I said I appreciate that and would you please explain
About the fifty ways

She said: Why don't we both just sleep on it tonight
And I believe in the morning you'll begin to see the light
And then she kissed me and I realized she probably was right
There must be fifty ways to leave your lover
Fifty ways to leave your lover

You just slip out the back, jack
Make a new plan, stan
You don't need to be coy, roy
Just listen to me
Hop on the bus, gus
You don't need to discuss much
Just drop off the key, lee
And get yourself free

1975. Serial de Los Cuatro Fantásticos